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Articles (2) |
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Videos |
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Featured course |
| 4 |
2 microphones, 1 skateboard, a complete production? |
| 5 |
5 things you believe make a great mix (that don’t!) (2) |
| 6 |
Mellotron: the first sampler ınstrument |
| 7 |
The complete guide to mixing low end (2) |
| 8 |
12 experimental approaches to music production & composition |
| 9 |
A guide to field recording: location, hardware, software & more (3) |
| 10 |
How to handle harshness in a mix (+ 4 great plugins) (3) |
| 11 |
6 tips for adding string arrangements to your music |
| 12 |
20 pitfalls to avoid when recording electric guitar |
| 13 |
How clipping became today’s sound (3) |
| 14 |
4 tips for preventing over-processing during mixing |
| 15 |
6 plugins for saving unusable audio |
| 16 |
The basics of panning in a mix |
| 17 |
9 time-sucking pitfalls to avoid (don’t go down the rabbit hole!) |
| 18 |
Top 9 mistakes ı hear ın amateur mixes (2) |
| 19 |
A guide to buying your first pair of studio monitors (2) |
| 20 |
What is a program-dependent compressor? |
| 21 |
The complete guide to recording & mixing cajon |
| 22 |
5 ways to make your drums punch harder (2) |
| 23 |
7 things ı learned writing & recording a song every day for a month |
| 24 |
Review: audeze lcd-1 headphones and reveal+ plugin (w/ ınterview) |
| 25 |
3 tips for clearing up a muddy mix |
| 26 |
Audio design desk — a new paradigm for audio post-production |
| 27 |
5 ways to simplify your arrangements |
| 28 |
21 dıy kit sources for pro audio, synth modules & ınstruments (2) |
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Top virtual ınstruments for composing and scoring to picture |
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A guide for producers preparing files for mix engineers |
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Plugins for audio post-production: what the pros are using (2) |
| 32 |
4 overused ınstrumental production techniques (that aren’t as cool as you think) |
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3 overused vocal production techniques (that aren’t as cool as you think) |
| 34 |
5 common recording mistakes to avoid |
| 35 |
6 common reverb mistakes |
| 36 |
11 things to do with guitar and reverb |
| 37 |
A guide to bussing in a mix (+ processing tips) (2) |
| 38 |
What ıs automation? (+ 5 creative tips) |
| 39 |
A basic guide to microphone specifications (2) |
| 40 |
6 strategies for taming midrange in a busy mix (2) |
| 41 |
4 tips for mixing home-recorded drums (without using samples) |
| 42 |
Learn how to mic acoustic guitars |
| 43 |
5 free plugins for mastering in the box |
| 44 |
11 free synth plugins for your collection (2) |
| 45 |
How music copyright works: sampling, covers, mixtapes & fair use (2) |
| 46 |
9 tips to help you turn a good mix ınto a great mix |
| 47 |
8 awesome drum simulator plugins |
| 48 |
ıan vargo’s top 10 uad plugins (+ mix tips) |
| 49 |
19 brian eno quotes for studio ınspiration (2) |
| 50 |
8 places to get mult**racks for practice |
| 51 |
8 favorite plugins for mixing vocals |
| 52 |
10 great bra*** sample libraries (2) |
| 53 |
5 different types of reverb explained (2) |
| 54 |
6 things you shouldn’t be afraid to do in a mix |
| 55 |
5 great neve 1073 emulation plugins |
| 56 |
7 simple tips to mix vocals like a pro (2) |
| 57 |
8 free drum sample packs (2) |
| 58 |
9 easy ways to use multiband compression in your mix (2) |
| 59 |
Tips for mixing rap vocals (2) |
| 60 |
5 favorite eq plugins for mixing |
| 61 |
72 music production tips ı wish ı knew when ı started (2) |
| 62 |
The 6 db of headroom for mastering myth explained (2) |
| 63 |
5 great la-2a compressor plugins |
| 64 |
The complete guide to audio pa*** filters |
| 65 |
7 awesome eq plugins for mastering |
| 66 |
7 effective techniques for minimizing plosives (2) |
| 67 |
7 free plugins that will ımprove your mixes |
| 68 |
13 plugins for getting an 80s vibe (+ production & mix tips) |
| 69 |
How to make your mıdı sound less like mıdı |
| 70 |
Patchbays 101 — layout, signal flow, normalling & more (2) |
| 71 |
How to create width, height and depth in a mix (2) |
| 72 |
18 awesome guitar amp simulator plugins |
| 73 |
10 eq mistakes you don’t know you’re making (2) |
| 74 |
8 great string libraries for your sample collection |
| 75 |
9 strange, quirky and unique plugins |
| 76 |
4 essential tips for mastering hip-hop |
| 77 |
9 techniques for controlling sibilance |
| 78 |
Fl studio is bada***, ıf you don’t make these 6 mistakes |
| 79 |
Best practices for backing up your data |
| 80 |
6 things to know about sample rate and bit depth |
| 81 |
How to eq vocals (+ 10 problems to look out for) (2) |
| 82 |
5 steps for mastering hip-hop |
| 83 |
4 effective ways to use tension in your productions (2) |
| 84 |
15 awesome transient designer plugins |
| 85 |
Mixing and mastering for vinyl |
| 86 |
Should you change guitar strings for the studio? |
| 87 |
10 must-have ios synth apps for music production |
| 88 |
Tips for mixing loud without destroying dynamics (2) |
| 89 |
5 ways to compress drums in a mix |
| 90 |
4 tips for doubling ınstruments (+ 3 pitfalls to avoid) |
| 91 |
What is stem mastering? |
| 92 |
What is sidechain compression? (+ 5 ways to use ıt) |
| 93 |
8 things to consider for recording acoustic guitar |
| 94 |
5 tips for ıncreasing loudness in a mix |
| 95 |
4 tips for eq’ing acoustic guitar in a mix |
| 96 |
The complete guide to recording vocals |
| 97 |
The mastering guide to audio formats and delivery mediums |
| 98 |
6 great vocoder plugins (+ what is a vocoder) |
| 99 |
The complete guide to choosing a mıdı controller |
| 100 |
How to use reverb on vocals in a mix |
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How to mix reggaeton |
| 102 |
Orchestrating synths: layering, stacking and blending |
| 103 |
The fundamentals of designing sound to picture |
| 104 |
8 tips for creatively processing vocals |
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Audio engineers: you care about the wrong stuff |
| 106 |
Tips for creatively using auto-tune on vocals |
| 107 |
The fundamentals of subtractive synthesis |
| 108 |
Can home recordings compete with major releases? |
| 109 |
6 tips for mixing pop music |
| 110 |
The fundamentals of am synthesis |
| 111 |
8 tips for building synth sounds from scratch |
| 112 |
7 ımportant lessons learned throughout my mixing career |
| 113 |
5 plugins for adding “glue” to your mixes (+ mix tips) |
| 114 |
Tips for mixing drum overheads |
| 115 |
The complete guide to vocal production |
| 116 |
5 ınteresting ways to use delay in a mix |
| 117 |
7 things that limit the full potential of a mix |
| 118 |
15 free videos from grammy winning mix engineers |
| 119 |
The fundamentals of amplitude and loudness |
| 120 |
8 non-audio apps to help run your audio business |
| 121 |
How to become a pro tools vocal tracking ninja |
| 122 |
7 tips for working remotely as an audio engineer |
| 123 |
The complete guide to mixing ba*** guitar |
| 124 |
A philosophical guide to the role(s) of an audio engineer |
| 125 |
The complete guide to recording electric guitar |
| 126 |
6 essential tips for using reference tracks |
| 127 |
The complete guide to mixing with eq |
| 128 |
The complete guide to mixing with compression |
| 129 |
Understanding performance rights |
| 130 |
Music royalties explained |
| 131 |
Music publis***ng 101 |
| 132 |
58 quick mixing, producing and sound design tips |
| 133 |
12 awesome sound design tools for music production |
| 134 |
Mixing: peering beyond the bullsh%# |
| 135 |
A guide to the different roles in audio post-production |
| 136 |
5 things ı miss about my first tape recorder |
| 137 |
12 tips for composing music for tv shows |
| 138 |
The complete guide to mixing vocals |
| 139 |
The fundamentals of sampling ınstruments and libraries |
| 140 |
6 favorite saturation plugins + mix tips |
| 141 |
7 compressor plugins modeled after analog hardware |
| 142 |
Tips for making ın the box mixes sound analog |
| 143 |
5 secrets to recording vocals at home |
| 144 |
8 ways to use reverb as a special effect |
| 145 |
5 trends we’ll see ın “the daw of the future” |
| 146 |
The complete guide to mixing drums |
| 147 |
The basics of plate reverb |
| 148 |
The fundamentals of waveform editing |
| 149 |
5 ways to use reverb on drums in a mix |
| 150 |
7 crucial mistakes engineers make running live sound |
| 151 |
The what, why and how of modular synthesis |
| 152 |
How to get a job at a live music venue |
| 153 |
How to book a gig for your band at a live music venue |
| 154 |
Analog, tubes, vinyl and the future of retro |
| 155 |
Mastering in 2017 — where do we go from here? |
| 156 |
The benefits of self-ımposed limitations |
| 157 |
7 essential traits of a great record producer |
| 158 |
Content, form and the empty container |
| 159 |
How to ımprove acoustics in your home studio |
| 160 |
5 ways to use ımaginary collaborators in the studio |
| 161 |
The luxury of procrastination |
| 162 |
9 mix bus mistakes you don’t know you’re making |
| 163 |
9 compression mistakes you don’t know you’re making |
| 164 |
6 essential limiter plugins for mastering |
| 165 |
5 tips for getting better sounding masters |
| 166 |
7 reverb mistakes you don’t know you’re making |
| 167 |
The ımportance of time, mistakes and humility |
| 168 |
5 tips for a better sense of space in your mixes |
| 169 |
5 reasons your mixes don’t sound like the pros |
| 170 |
7 essential traits of a great recording studio |
| 171 |
How to harness the power of ımprovisation in the mixing process |
| 172 |
Rehab for musical perfectionists |
| 173 |
4 tips for being a recording studio bada*** |
| 174 |
6 mixing mistakes that are destroying your tracks |
| 175 |
My 5 most unpop****r opinions (that ı’m sticking by!) |
| 176 |
4 parallel processing techniques for drums in a mix |
| 177 |
3 ways to use multiband compression in a mix |
| 178 |
5 tips for getting huge drum sounds |
| 179 |
5 things to listen for when using compression |
| 180 |
Mixing: don’t always trust what you see |
| 181 |
Tips for visualizing compression |
| 182 |
5 effective ways to use mid-side processing |
| 183 |
5 tips for better high end in a mix |
| 184 |
4 commonly misused pieces of audio advice |
| 185 |
Understanding sound: what is sound? |
| 186 |
Tips for mixing rock vocals |
| 187 |
5 ways to approach the beginning of a mix |
| 188 |
11 tips for better mastering results |
| 189 |
Your ears are colorblind, and other analogies for mp3 compression |
| 190 |
5 reasons to put a microphone in front of your monitors |
| 191 |
How compression affects harmonic distortion |
| 192 |
5 essential ways to listen to your mixes |
| 193 |
The ımportance of your recording location |
| 194 |
5 combinations of effects for parallel processing |
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Arnold’s six rules for success that’ll make you a better producer |
| 196 |
5 different types of compression and when to use them |
| 197 |
15 essential tips for new audio engineers |
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Common misconceptions about the mastering process |
| 199 |
What’s the brain got to do with ıt? |
| 200 |
5 tips for getting more from your productions |
| 201 |
7 tips for creatively processing drum loops |
| 202 |
How different pick materials sound on acoustic guitar |
| 203 |
How to get a fatter guitar sound with cascading overdrive |
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5 tips to quickly ımprove your edm mix |
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The ımportance of mono in a stereo mix — part 2 |
| 206 |
Analog vs digital summing: which is preferred? |
| 207 |
A guide to preparing for mastering |
| 208 |
How different pick materials sound on electric guitar |
| 209 |
How ınsecurity can halt your career |
| 210 |
Amp overdrive vs pedal overdrive |
| 211 |
4 headphone tips for better vocal performances |
| 212 |
The ımportance of mono in a stereo mix |
| 213 |
6 ways to get creative with vocal doubles |
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5 ways to use a gate for synth and vocal effects |
| 215 |
5 tips for controlling, filtering and shaping reverb |
| 216 |
Why amp volume is a secret ıngredient to getting great guitar tone |
| 217 |
9 things that shouldn’t derail your record |
| 218 |
6 common traps aspiring audio engineers fall ınto |
| 219 |
5 music production secrets of the beatles |
| 220 |
5 mistakes new audio engineers make |
| 221 |
11 things you never thought to do with your guitar effects chain |
| 222 |
The five levels of mix quality |
| 223 |
How to attract new clients to your studio |
| 224 |
5 dynamic ways to think about masking |
| 225 |
5 common mixing mistakes to avoid |
| 226 |
10 common mixing mistakes to avoid |
| 227 |
The complete guide to mixing voice: dynamics |
| 228 |
The complete guide to mixing voice: eq |
| 229 |
How to succeed as a freelance audio engineer |
| 230 |
50 mixing tips from steven slate |
| 231 |
Mixing with mastering in mind: tone |
| 232 |
6 steps for getting your best mix ever |
| 233 |
How mick guzauski mixed daft punk |
| 234 |
7 advanced mixing techniques that can get you in trouble |
| 235 |
How to mix 808s |
| 236 |
Mixing with mastering in mind: dynamics |
| 237 |
7 obscure mixing techniques used by the pros |
| 238 |
How to open up space in a mix |
| 239 |
5 tips for executing a fast mix |
| 240 |
Tips for mixing vocals to an ınstrumental |
| 241 |
Edm: where producing and mixing collide |
| 242 |
Audio phase 101: timing difference or polarity? |
| 243 |
Tips for controlling vocal sibilance |
| 244 |
4 essential tips for mixing guitar |
| 245 |
Mixing rap vocals – part 3: compression |
| 246 |
Tips for mixing toward loudness |
| 247 |
Mixing rap vocals – part 2: eq |
| 248 |
3 techniques for mixing background vocals |
| 249 |
2 effective ways to use parallel compression |
| 250 |
Studio rates: charging an hourly rate vs. charging per song |
| 251 |
How to mix trap music |
| 252 |
Tips for mixing low end |
| 253 |
The mysteries of dynamics processing revealed |
| 254 |
Have you left your right brain? |
| 255 |
The ımportance of space in a mix: part ııı |
| 256 |
The ımportance of space in a mix: part ıı |
| 257 |
The ımportance of space in a mix: part ı |
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